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1990-06-28
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59KB
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1,048 lines
From ucsd!rutgers!att!mtuxo!mcripps Sat May 13 08:19:02 PDT 1989
I got enough requests for these patches that I thought I'd post them. If you
contacted me about these before 5/10, I have already emailed the patches to
you, but I've had little success with mail to '@' type addresses, so pull them
down from here if you haven't received them.
I put them in two 50K files, so (hopefully) nothing will choke...
To see the names of all of the patches, print all of the lines with the
word 'Name' in it (with 'grep' on Unix(tm) System V or 'find' on DOS).
There is a form feed (ctrl-L) character before each patch, so they print
one patch per page (a little wasteful on some, but easier to organize).
Enjoy
Mike Cripps
mtuxo!mcripps
201-576-2428
------------------------------------------------------------------------------
TONE Name- MELLO FAT BASS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 1 | 0 | 07 | | 3 | 0 |48|99 | | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |68 | | | | | | |0-99 rate| | | | | | | | |
levl|33 |0 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |47 |37 |26 | | | | |0-99 rate| | | | | | | | |
levl|99 |96 |52 |0 | | | | |0-99 levl| | | | | | | | |
s/e | | |s |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |36 |79 |55 | | | | |0-99 rate| | | | | | | | |
levl|99 |91 |59 |0 | | | | |0-99 levl| | | | | | | | |
s/e | |s | |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: I like this sound using portamento on time=07. Edited from preset 1
not harsh at all like the bass preset. Sharper attack than the brass.
The vibrato is just an added program that can be transfered to other programs.
It is really neat if the sound has a long release on the DCA after the sustain.
The vibrato is optional and may be altered to your liking.
*****************************************************************************
TONE Name- CHAIN GANG CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2 | | | 1 | | + | 1 | 0 | 00 | | 1 | 0 |0 |0 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 |3 | | 4 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|0 | | | | | | | |0-99 levl|0 | | | | | | | |
s/e |e |e | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |0 | | | | | | |0-99 levl|42 | 0 | | | | | | |
s/e | |e | | | | | | | s/e | |e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |61 |50 | | | | |0-99 rate|99 |83 |50 |50 | | | | |
levl|99 |72 |0 |0 | | | | |0-99 levl|99 |91 |0 |0 | | | | |
s/e | | | |e | | | | | s/e | | | |e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: I never had to give this sound a name before but chain gang seems to
fit the sound. I use it as a replacement or addition to a SNARE in a Rhythm
pattern
TONE Name harpsichord #1 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | |
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |34 |74 |99 | | | | |0-99 rate|69 |92 |53 |42 |91 | | | |
levl|88 |44 |00 |00 | | | | |0-99 levl|01 |99 |92 |00 |00 | | | |
s/e | | | s | e | | | | | s/e | | | | | e | | | |
_____________________________________ _____________________________________
TONE Name harpsichord #2 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 2 | 0 | 06 | | 1 | 0 |00|00 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 6 | | 3 | 7 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|21 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 5 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate|99 |00 | | | | | | |
levl|50 |00 | | | | | | |0-99 levl|52 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 | | | | |0-99 rate|76 |94 |58 |44 |99 | | | |
levl|90 |16 |00 |00 | | | | |0-99 levl|02 |99 |90 |00 |00 | | | |
s/e | | | s | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
TONE Name - Pipe Organ CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 12' | | no | no | | + | 0 | 0 | 02 | | 1 | 0 | 0| 0 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 4 | 4 | | 2 | 1 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 00| 00| | | | | |0-99 rate| 99| | | | | | | |
levl| 66| 66| 00| | | | | |0-99 levl| 00| | | | | | | |
s/e | s | | e | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 0 | | | | | | |0-99 rate| 99| 0 | | | | | | |
levl| 50| 0 | | | | | | |0-99 levl| 83| 0 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 90| 60| | | | | | |0-99 rate| 90| 60| | | | | | |
levl| 99| 0 | | | | | | |0-99 levl| 99| 0 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
Comments: The heart of the pipe organ sound is the doubling a couple of
octaves up. I chose to do that in this patch by using the DCO pitch
envelope rather than the detune parameters (I had a good reason at the
time, I don't remember what it was). The modest detuning fattens the
sound a little, so it sounds like more than one pipe. Overall this is
a very simple but effective patch. You can manipulate the timbre to
your liking by changing the DCW envelope levels. The noninstantaneous
DCA envelope rates soften the onset and simulate some hall ambience.
A good reverb still helps enormously.
TONE Name- CHIFF STRINGS CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'1 | | | | | + | 0 | 0 | 07 | | 1 | 0 |0 |0 | | - | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 |0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |80 |00 | | | | | |0-99 rate| | | | | | | | |
levl|85 |66 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|80 |63 |42 | | | | | |0-99 rate| | | | | | | | |
levl|95 |70 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|75 |55 |40 | | | | | |0-99 rate| | | | | | | | |
levl|68 |99 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | |sus|end| | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This sound was developed to improve one of the factory internals.
It has been quite useful to me as an all-around string sound with that slight
difference that makes it just a bit unusual. I used the pitch envelope
to get that "chiff" sound. It probably could have been done with
the noise modulator, but once I got the sound I wanted, I didn't
bother checking out a "more correct way".
TONE Name- PIANO CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'2 | | X | | | + | 1 | 0 | 03 | | 1 | 57|0 | 1 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 1 | | 3 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |40 |50 |50 |50 | | | |0-99 rate| 0 | 0 | 0 | 0 |50 | | | |
levl| 0 | 0 | 0 | 0 | 0 | | | |0-99 levl| 0 | 0 | 0 | 0 | 0 | | | |
s/e | | | | |END| | | | s/e | | | |SUS|END| | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 4 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |13 | | | | | | |0-99 rate|67 |13 | | | | | | |
levl|34 | 0 | | | | | | |0-99 levl|37 | 0 | | | | | | |
s/e | |END| | | | | | | s/e | |END| | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |32 |31 |17 | 8 |16 | 5 |47 |0-99 rate|47 |44 |28 |26 | | | | |
levl|99 |46 |17 |14 |17 | 8 | 5 | 0 |0-99 levl|11 |24 | 1 | 0 | | | | |
s/e | | | | | | | |END| s/e | | | |END| | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This is about as close to a piano as I've heard on the CZ.
TONE Name- Rhodes Piano CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+'2 | | | | | + | 2 | 10 | 05 | | 1 | 0 |27| 4 | | - | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 |0 | | 4 | 0 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | |end| | | | | | | s/e | |end| | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 2 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |40 |00 | | | | | |
s/e | | |sus|end| | | | | s/e | |sus|end| | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 | | | | | |0-99 rate|99 |36 |24 |46 | | | | |
levl|99 |00 |00 | | | | | |0-99 levl|45 |18 |00 |00 | | | | |
s/e | |sus|end| | | | | | s/e | | |sus|end| | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENT: This patch was published in the FEB '86 issue of KEYBOARD. I've used
it extensively as a bright Rhodes piano.
TONE Name- Piano CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 0 | 0 | 01 | | 4 | 0 |50|01 | | + | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 2 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate| | | | | | | | |
levl|08 |0 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 | | | | | | |0-99 rate| | | | | | | | |
levl|84 |91 | | | | | | |0-99 levl| | | | | | | | |
s/e | |e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 8 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|95 |26 |18 |18 |18 |18 |00 |45 |0-99 rate| | | | | | | | |
levl|99 |80 |60 |40 |20 |00 |00 |00 |0-99 levl| | | | | | | | |
s/e | | | | | | | |e | s/e | | | | | | | | |
_____________________________________ _____________________________________
TONE Name- 8-note Polyphonic CARTRIDGE NO. TONE NO.
Piano
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1 | | | | | | | | | | 1 | 06|06|06 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate| | | | | | | | |
levl|00 | | | | | | | |0-99 levl| | | | | | | | |
s/e |e | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |45 |20 | | | | | |0-99 rate| | | | | | | | |
levl|66 |33 |0 | | | | | |0-99 levl| | | | | | | | |
s/e | | |e | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |20 |44 | | | | | |0-99 rate| | | | | | | | |
levl|99 |11 |00 | | | | | |0-99 levl| | | | | | | | |
s/e | | |e | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
TONE Name- Ring Modulo 1 CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | |Yes | | | - | 1 | 00 | 00 | | 1 | 5 |14| 5 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 8 | 4 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |50 |00 | | | | | |
s/e | | | s | e | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 | | | | |0-99 rate|99 |36 |36 |24 |46 | | | |
levl|99 |00 |50 |00 | | | | |0-99 levl|45 |30 |25 |00 |00 | | | |
s/e | | s | | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a very raucous sound.
*****************************************************************************
*****************************************************************************
TONE Name- Slow Saw Sweep CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | | | | + | 0 | 00 | 06 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 8 | | 1 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 | | | | | | |0-99 rate|99 |57 | | | | | | |
levl|65 |00 | | | | | | |0-99 levl|66 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |30 | | | | | | |0-99 rate|30 |99 | | | | | | |
levl|99 |00 | | | | | | |0-99 levl|99 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |45 | | | | | | |0-99 rate|72 |45 | | | | | | |
levl|92 |00 | | | | | | |0-99 levl|92 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a traditional analog-type filter sweep sound. Hold down
the keys for 4 to 5 seconds to get the full sweep effect.
*****************************************************************************
*****************************************************************************
TONE Name- 96 Tears CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | + | 2 | 00 | 01 | | 1 |00 |56|14 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 3 | 4 | | 4 | 3 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|88 | | | | | | | |0-99 rate|97 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 1 |(0-9) | 4 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |91 |75 |75 |97 |84 |00 |0-99 rate|97 |99 |91 |90 |99 |97 |83 |02 |
levl|88 |80 |99 |70 |99 |77 |89 |00 |0-99 levl|83 |99 |91 |93 |99 |83 |84 |00 |
s/e | | | | | | | s | e | s/e | | | | | | | s | e |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 1 |(0-9) | 3 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate|99 |99 | | | | | | |
levl|99 |00 | | | | | | |0-99 levl|99 |00 | | | | | | |
s/e | s | e | | | | | | | s/e | s | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a Vox Continental-type organ sound. This sound has made
somewhat of a comeback lately. Dedicated to those of you who love
cheesy organ sounds!
*****************************************************************************
*****************************************************************************
TONE Name- Lucky Man CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | | | | | - | 0 | 00 | 04 | | 4 |28 |42|06 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 2 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|00 | | | | | | | |0-99 rate|00 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | 7 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|74 |60 |42 | | | | | |0-99 rate|93 |60 |42 | | | | | |
levl|92 |87 |00 | | | | | |0-99 levl|99 |87 |00 | | | | | |
s/e | | s | e | | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 6 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|86 |68 |56 |78 |36 |78 |30 |38 |0-99 rate|75 |55 |55 | | | | | |
levl|72 |99 |50 |72 |40 |42 |52 |00 |0-99 levl|68 |99 |00 | | | | | |
s/e | | s | | | | | | e | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This is a classic Moog-type sound. I set my Portamento ON,
Time=10, but adjust it to suit you.
*****************************************************************************
*****************************************************************************
TONE Name- Reverse Perc CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | + | 1 | 00 | 00 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 3 | | 4 | 6 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |00 | | | | | | |0-99 levl|42 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 | | | | |0-99 rate|54 |83 |50 |50 | | | | |
levl|00 |00 |00 |00 | | | | |0-99 levl|99 |91 |00 |00 | | | | |
s/e | | | | e | | | | | s/e | | | | e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: I hear this as a potentially useful percussion sound. It sounds
like a backwards something!?! Playing A,Bb, and B outlines an
F# Major triad (by sounding F#, A#, and C# respectively).
*****************************************************************************
*****************************************************************************
TONE Name- Clap Plus CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | + | 1 | 00 | 00 | | 1 |00 |00|00 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 3 | | 4 | 4 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate|99 | | | | | | | |
levl|00 | | | | | | | |0-99 levl|00 | | | | | | | |
s/e | e | | | | | | | | s/e | e | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 9 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 | | | | | | |0-99 rate|76 |89 | | | | | | |
levl|42 |00 | | | | | | |0-99 levl|42 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 | | | | |0-99 rate|80 |83 |50 |50 | | | | |
levl|00 |00 |00 |00 | | | | |0-99 levl|99 |91 |00 |00 | | | | |
s/e | | | | e | | | | | s/e | | | | e | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: For a passable handclap sound, play E1,F1,F#3,and G3
simultaneously. Hitting other keys gives various other percussive
hits. Glisses from top to bottom and from bottom to top yield
interesting effects also.
*****************************************************************************
*****************************************************************************
TONE Name- Pseudophone CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+2' | | |Yes | | - | 1 | 00 | 00 | | 1 |46 |52|17 | | + | 1 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 2 | 6 | | 5 | 0 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|52 |50 | | | | | | |0-99 rate|83 |50 | | | | | | |
levl|15 |00 | | | | | | |0-99 levl|67 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | 8 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |99 |50 | | | | | |0-99 rate|60 |00 | | | | | | |
levl|88 |53 |00 | | | | | |0-99 levl|57 |00 | | | | | | |
s/e | | s | e | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 2 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |70 |59 |12 |65 | | | |0-99 rate|76 |61 | | | | | | |
levl|17 |91 |99 |83 |00 | | | |0-99 levl|67 |00 | | | | | | |
s/e | | | | s | e | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This was an attempt at a sax sound, that didn't quite work out,
but hopefully you'll find some use for it as I did. Sounds best
(to me) from C1 to Bb4. Above that it sounds too flute-ish.
*****************************************************************************
*****************************************************************************
TONE Name- Ring Mod Synth Bass CARTRIDGE NO. TONE NO.
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' | |Yes | | | - | 1 | 00 | 00 | | 1 |05 |14|05 | | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 8 | 4 | | 2 | 2 |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 | | | | | | |0-99 rate|92 |99 | | | | | | |
levl|10 |00 | | | | | | |0-99 levl|59 |00 | | | | | | |
s/e | | e | | | | | | | s/e | | e | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 | | | | |0-99 rate|99 |99 |99 | | | | | |
levl|65 |58 |46 |00 | | | | |0-99 levl|99 |50 |00 | | | | | |
s/e | | | s | e | | | | | s/e | | s | e | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 0 |(0-9) | 0 |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 | | | | |0-99 rate|99 |36 |36 |24 |46 | | | |
levl|99 |00 |50 |00 | | | | |0-99 levl|45 |30 |25 |00 |00 | | | |
s/e | | s | | e | | | | | s/e | | | | s | e | | | |
_____________________________________ _____________________________________
*****************************************************************************
COMMENTS: This bass sound is not for the faint of heart! Unfortunately has
a limited good-sounding range of from F1 to F3 (approximately).
This sound is a variation of Ring Modulo 1. The envelope is not
intended to be that of a bass guitar. "Bass" in this context only
refers to the range, not the 4-stringed instrument.
*****************************************************************************
TONE Name-8 Note PIANO
PARAMETER
LINE SELECT MODULATION DETUNE VIBRATO OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1 | | | | | + | 0 | 0 | 0 | | 1 |51 |52| 05| | | 0 |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
************************************ ************************************
(1) (2)
DCO 1 DCO 2
WAVE FORM WAVE FORM
|first|second| |first|second|
| 1 | 0 | | | |
|_____|______| |_____|______|
(1-8) (0-8) (1-8) (0-8)
ENV(PITCH) ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 | | | | | | | |0-99 rate| | | | | | | | |
levl| 0 | | | | | | | |0-99 levl| | | | | | | | |
s/e | e | | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCW 1 DCW 2
KEY FOLLOW KEY FOLLOW
| 9 |(0-9) | |(0-9)
|___________| |___________|
ENV(WAVE) ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 | | | | | | |0-99 rate| | | | | | | | |
levl|40 | 0 | | | | | | |0-99 levl| | | | | | | | |
s/e | s | e | | | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
DCA 1 DCA 2
KEY FOLLOW KEY FOLLOW
| 3 |(0-9) | |(0-9)
|___________| |___________|
ENV(AMP) ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_| step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 |38 |40 | | | | |0-99 rate| | | | | | | | |
levl|99 |86 |15 | 0 | | | | |0-99 levl| | | | | | | | |
s/e | | |s |e | | | | | s/e | | | | | | | | |
_____________________________________ _____________________________________
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COMMENT: This is modified from the Electric Piano Preset. If you select
Preset #5 and change the line select from 1+2' to 2 and turn the volume on
max, you get a fair sounding piano. What I did was basically copy the
envelopes of line 2 into line1 and changed the DCA to approximate a piano
envelope. (Perhaps using all 8 steps would offer a better approx.) It seems
that the middle registers sound the best.
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